Why the composer who won on “Oscar” Hans Zimmer refused Marvel

German composer Hans Zimmer He started his career, playing the keyboard for various new waves all over Europe. He played from Krakataa in his native German, with bogs (video “Glory to Radio Star”) in England, Crimea in Italy and Meano in Spain. At the beginning of the 80s, it also began to produce pop -syringl, smoking “the history of the world, part 1” for punk -market “Cursed”. At about the same time, he began to write commercial tunes and television tunes, actually giving it “in” the creativity that provides a vision of films. His first film as a composer was the 1982 lunar light, one of Jerse’s films.

For there, Zimme’s output increased geometrically, and it brought its unique, broad feelings (but with a pinch of a new wave) to more than 20 functions. He killed Stephen Fries “My Beautiful Laundry” (soon remodel) and underestimated “Bernard Rose”. In 1988 he received an Oscar nomination for his work on his work Barry Levinson’s controversy “Rain Man”, A movie that won the best picture. After that, he officially found himself on a hot series.

Zymer has remained in Hollywood since then, writing points for several mega and luxury films. From “Thunder Days” and “Fragment” to “League of Your Own” and “Real Romance”. In 1994, he won his first Oscar for work on the “King of Leo”. He also gained a lot of blockbuster of action, including “The Rock”, “Mission: Unable 2”, “Pirates of the Caribbean: Curse of the Black Pearl” and “Batman” Christopher Nolan. And it doesn’t even scratch the surface of his career.

But some people may say that Zimme has a noticeable hole in their fruitful work, as he never wrote the score for one of 36 films in the Marvel cinematic universe. This is the same thing that could be surprised to find out was a conscious decision. Recently Zimmer talked to a happy sad bewildered podcast (covered with EW), and he clearly revealed why he was left for McU. Mostly he says he does not want to make “minor characters”. Burns.

As it happens, in the past Marvel Studios turned to Zimme, knowing what he wrote music for Batman, Superman (he killed the “Moon-Stoln” Zho-Snyder and “Batman Against Superman: Dawn of Justice”), Spiderman (“Awesome Spider 2”), Wonder Woman ( X-Men (“Dark Phoenix”). However, when it came to MCU, Zimmer stayed away. It seems he feels that he has already been engaged in the most famous comic book superheroes that have ever been invented, and that we are not agreeing with the less popular Marvel characters is not what he wants to look. According to him:

“(Marvel approached me), and it was always … The terms were not great.

Zimmer immediately realized how he sounded, however, and immediately added: “It was very brazen to tell me.” He also noted that “Kevin Fege told me:” Hans, what are you complaining about? “Zimmer, whose next number will be considered in the film about the Joseph Kosinski race” F1 “, also acknowledged that he also once approached the movie” Star Wars “, but he was also not interested. Material. He has already made his own space opera and “Second Part: Second Part: Second Part.”

Zimmer does not show signs of slowing, and envelops his work on Ron Hoard 2026 “Eden”. New projects are inevitable.