Why do predators have dreadlocks

The original design of the creature in John McTiernan’s 1987 action film The Predator was originally cooler and more animalistic. He was taller, with huge yellow eyes and a head like a horse’s skull. Fun Trivia: Jean-Claude Van Damme was the original stuntman hired to play a tricked-out version of the Predator. More interesting details: in the sequel “Predator”, during the “Halloween Night” sequence, a small child walks by the camera wearing an original Predator costume.

The final design of the Predator — referred to in the expanded universe as Yautya — was much more humanoid. The predator was a tall man with a muscular masculine build. It had long claws, shark-like skin, and was equipped with high-tech alien-hunting gear. He wore a mask similar to most of Predator, but it eventually came off to reveal a crab-like face, evil eyes, and an undeniably vulva-like mouth with fangs. The predator’s vaginal face is consistent with the film’s overall satirical depiction of overblown cartoonish masculinity. The design was striking enough to carry over into six additional films, not to mention a wide array of additional “Predator” media, including video games, comics, books and toy lines.

The strangest thing is that the Predator had dreadlocks that whipped up sharply when he turned his head. There were even little rings and bracelets attached to the dreadlocks and they looked pretty badass. Every predator seems to wear the same hairstyle.

However, the vast sea of ​​Predator’s expanded universe shows that these places are no hair at all. If you delve into the many Predator comics, you’ll find that those cranial tendrils are actually complex sensory organs that help Yawta maintain her balance and reflexes.

In Brian Macdonald’s 1996 comic Predator: The Amazing Roo, one of the named creatures was shot in the head by a local trapper while hunting humans in the swamps of southern Louisiana. The shotgun blast tore off a few of his “hairs” and they actually started bleeding. This was semi-canonical proof positive that the Predator’s cranial tendrils were definitely not hair, but rather a series of bony projections on the creature’s head. Later in the book, the hunter comes upon the Predator, luring it into the quicksand, killing it…and turning it into a horn. Predators seem to be edible.

The actual biological function of Yauti’s antennae, however, did not become apparent until Jeff VanderMeer’s 2008 novel Predator: The South China Sea. In this novel, it is finally revealed that the antennae provide enhanced sensory input for the predator, giving it a better sense of balance than a human. They also seemed to provide some sort of “spider” effect to the aliens, as they also enhanced the creature’s reflexes. The conceit presented in The South China Sea also explained why the imprisoned Yawtyu had its tentacles removed in the 2005 video game Predator: The Concrete Jungle.

Considering that predators decorate their antennae with bracelets and ringsclearly there is an aesthetic aspect to their “dreadlocks” in their culture as well. Maybe you can get your nose pierced in the same way. In David Bischoff’s 1994 novel Aliens vs. Predator: Planet of the Hunter, a man named Machiko Noguchi falls into a pack of Predators, becoming an ally. To fit in better, she grew hair that resembled the antennae of a predator. When they are torn apart in the novel, Machiko laments that the predators won’t find her attractive. It seems that long antennae are considered beautiful in Yautya Yobo.

The Predator was designed by master creature designer Stan Winston, who also created monsters and robots for The Terminator, Jurassic Park, Aliens, The Curtain, Edward Scissorhands and hundreds of others. It won four Academy Awards for SFX and Makeup. In an interview on the “Predator” DVDs, Winston said that the “dreadlocks” were imagined as feathers, perhaps like those of a porcupine. He didn’t offer many details other than the word “feathers,” but his use of the word implies that Winston wanted the dreadlocks to be more hair-like and possibly even removable. It wasn’t Winston who thought they should be blood-filled senses.

Fun Trivia: When Juatja used his cloaking device in The Predator, if you look closely, you can see that his dreadlocks aren’t part of his shimmering silhouette. This was done because using the invisibility effect for the hair was too difficult for the SFX team. They decided to get around the problem by simply removing the hairs for stealth shots. It’s okay, because it’s not noticeable.

Other looks at the Predator franchise reveal other details as well. For example, most puffins are black, but some Predators had blue or red. Old predators seem to be turning gray. In the feature film “AVPR: Alien vs. Predator – Requiem” The Predator is implanted with a xenomorph egg, and the resulting offspring is a combination of Alien and Predator … with dreadlocks. This was a sure sign that the “hair” was the fleshy part of the monster’s head.