View Presonus Quantum HD: seamless recording tool

For the longest Time, I have been fighting the latency of recording audio or the time required for recorded sound to register on the screen. I would turn on my audio interface to my computer, take all my drums all the microphones, and it will be hard to make my things sync with anything I try to record. Thehe First generation Presonus’s quantum audio interfaces solved my problems about a decade ago. They used connections faster than USB Thunderbolt to give me an almost zero delay, thanks partly to the without swelling, which he shares with Presonus’s Studio One software.

The latest quantum HD interfaces of Presonus have further increased the factor of ease of use. You get USB-C connectivity, even cleaner design, better screen and front panel inputs designed in collaboration with Fender Presonus Mother Fender. Even now there is an automatic leveling of the profit of the entrances, which means that one person can set a large studio alone.

If you are after an affordable audio interface that competes with heavy attackers from Universal Audio, Apogee, Focusrite, Audient or SSL, among others, the new Presonus Quantum HDs are fantastic and sound great. If you are a studio user, they are non-brazen.

Audio boxers

Both HD 2 and HD 8 models are not much to watch, designed to hide on the desktop of a serious enthusiast at home studio among other toys. Both are black boxes with blue accents and colored screens and look relatively unwritten when not in use. (That’s Nice for Expensive Studio Equipment, Which Can Sometimes Scream “Steal Me!” ID IF You don’t have a trunk to mount it.

Photo: Parker Hall

The structure of the device is solid and metal, with nice large openings on the side to keep it during longer follow -up sessions. I like that it just takes a standard three-ring power cord, so you don’t have to deal with a wall wart and that it quickly connects to any modern USB-C device.

I was a longtime Presonus user for everything from its Faderport controllers (USB devices that allow you to use Faders to control playback in Most Daw software) and Monitor station (Outboard box where you can turn on and change between multiple speakers with simple buttons). The speed works well and costs less than most competitors.

Pro-level equivalents of brands like Universal Audio and Apogee can cost between a little and a lot more, depending on the category and just doesn’t sound better in my experience. Quantum HD interfaces easily compete with Wild-popular 8-in-law models from Universal Audio With regard to the quality of audio and construction. Universal audio models are the gold standard in the category currently and cost more than twice as much per unit.

Studio One immediately recognizes Quantum HD 8 and plays well, allowing you to do things like turning on a 48V Phantom Power for capacitor microphones and setting levels inside the software instead of using some strange intermediary software between interface and DAW.

Photo: Parker Hall