This movie brothers Russso Netflix is ​​incredibly blank

The new science-fiction film Anthony and Joe Rus “Electric Status”-Ultblakbuster of 320 million dollars, which made up on Netflix this week-ark that requires a lot of words. Based on the illustrated retro-entertaining novel by Simon Stelehoga, “electric state” looks that Disneyland, when it opened in the 1950s, not just built an allotted robots for entertainment, but in fact, high-tech, artificially intellectual robots. Uncle Walt seems to have been less movie as he was Dr. Song of the Star Way. The world soon filled the robots -servants, each painted in a friendly, cartoon. Corporate mascot robots were built, and the cartoons received robotic, real colleagues.

However, in the early 1990s, this universe was the robot uprising, and smiling corporate mascots demanded release. The war began. People were able to win the war through a new invention: thousands of boots that could be controlled by the remotely human soldiers wearing VR helmets. After the victory of a person, all smart robots were expelled to a fenced prison size from Oregon, and people lived in the world. Now about 1995, and “Wonderwall” just becomes a hit.

Oh yes, and an extra amazing self -cheaper: VR Soldier’s helmets break the brains of their users. Half of their brains devotes control of the bodies-robots, and their second half is eliminated into a matrix virtual universe, where they are constantly on vacation.

You might think that the complexity of the above installation would leave the director enough to discuss something philosophically. The ethics of robotic work, perhaps, either the nature of the forked consciousness. Symbolism of people who go to war with their corporate IP are certainly opening some doors for exploration. However, Russia does not have its prerequisite in any notable goal. They seem to say nothing. The images are smooth and thematically concerned, but in the end the “electric state” is intellectually dim, not very weak. Nothing more.

Anthony and Joe Rus, to remind the readers, made one of the most successful films of all time and peoples with “Avengers: Endgame”. They also sent several other films to the Marvel Cinematographic Universe, and showed talent to overcome several colorful characters in impeccably built battle scenes, where you could actually notice what happened from Shot To Shot. They admired the scaling of your favorite star characters, giving each point a culminating spoon of the Portant.

However, their exit after the MKA included “cherry”, “gray man” and now “electric state”, which now all prove their weaknesses. Yes, they can give the Portent moments, but from MCU they can leave the endless series of mini-climates because other directors have already created their characters in other films. Russia is very good with payments but scary with settings. They are great for the finals, but they do not have new ideas how to get to us.

Thus, when they create alternative 1990s, inhabited by corporate robots, and talking about how humanity conveyed its collective immunity to the technical basilnant with VR -jishes for sale, they do it without saying anything. Indeed, you can now see with the “electric state” that Rusas, in their hearts, corporate rising. This, of course, says that the pretty figures in their new film are armed, robotic corporate mascot, who need a small frame of brave people to protect them from the force of the vicious, state military drones. Surprisingly, the “electric state” is a pro-I-film in which entertainment companies should be protected from the pressure of government supervision. “Electrical State”, if anything, is about the need for deregulation Netflix.

The plot of the “electric state”, except for its complex installation, is refreshingly simple. Mart Bobbi Brown plays a brazen teenager named Michel, the only close connection with his brother Mathematics Christopher (Woody Norman). Unfortunately, her brother and family are dying in a car disaster, and she is forced to live with a reception dad (Jason Alexander). Michelle became disgustingly world -depended on VR, and that schools were replaced in VR classes (Horse is also used in “Ready Player One”). Robots are strictly illegal, and VR Sheropers wander the streets while VR.5 am looking for sushers.

Michel turns to the robot of Kosma (Alan Tudik), a cartoon, whom Michel and Christopher watched together. The robot reports Michel that her brother has not died, but is held in a far facility owned by Tech Mogul Ethan Skate (Stanley Tucci), it stands for Steve Jobs, Elon Musk or any other soulless billionaire. Michel and Cosma go out on the road to find their brother, accumulating a thief because of a heartfelt wax named Kits (Chris Prat), and his robot Badi Herman (Voice by Anthony Maca, sunset Martin Klebb). On the tail-gifts of the supra-aposain, which will play Juncarla Espassit (or rather, his face; the audience can only see the actor from the eyebrows to the chin, through the robotic TV screen). The movie follows them in search of Christoph, and find out why he was captured in skating.

Their trip will bring them to a huge, mentioned robot, where all Disney bots live, the robot of Mr. Oakhis (Woody Harelson) of the glory of the seedlings. Viewers with sharp ears can recognize the many voices of celebrities coming from the boots. “Brian Cox plays a broken baseball robot, Jenny Shiwer plays a correction that carries the mail, and Hank Azaria plays in Android. A mad scientist and a robotic version of yourself.

The tone of the “electric condition” is surprisingly smooth. Visual materials, of course, ultra-foolishness, and special effects are unobstructed, but all this in the service with a softly photographed, unaccumbently built film. There is no energy and faith. Chris Prat is present to repel the common “comedic” one, but none of them is ridiculous and indicates any person. A lot of dialogue feels like a filler line written to preserve the place for actually funny jokes that will be inserted later. It is possible to evaluate the undemanding sense of visual clarity of Rusas – unlike Michael Bey, you can always understand where the characters are in the battle scene – but it is just a addition to qualified use, not stories and creativity. If I align the same honest criticism to the emotional climax, you can start to feel the general weakness of the movie.

“Electric Status” – one of the most expensive movies that if -they are madeAnd you can see each dollar on the screen. Robots feel real, and their design, taken from Stelehag’s book, are unique. But he wonders why so much effort came into a movie that has almost nothing. This is twice as unpleasant, given that some self -loves are so powerful. Distopic thriller on self or corporate IP? If this movie was made in the 1990s-when were more cynical and pop-artists more anti-Carporal, it would be sharp, bitter and anti-Items. However, Russia is the directors themselves, and they do not seem to understand what they decided to adapt.

“Electricity”, like Mr. peanuts, is a complex machine that can imitate human emotions, but may be more like a peanut shell in how empty it is.

/Rating of the movie: 6 out of 10

“Electric Status” goes on Netflix on March 14, 2025.