The Oscars are considering new rules for the disclosure of AI on the controversy with the brutalists, other films

Brady Corbebet Brutalist he surprised the audience with his epic scope, struck cinematography and the huge performance, but the film was also involved in the use of AI to modulate the votes of his actors. A number of other films released this season of the awards have also been found with the help of AI and now the Academy has been reported to be considering creating new rules for the disclosure of technology.

A variety of notes These machine learning tools have been widely used by recent films and that the Academy is considering mandatory rules for optional disclosure. The output reports:

The Academy is currently offering an optional AI disclosure form, but the governors and executive branches of the branches are now investigating how AI is used in each branch in view of the disclosure in the Oscars in 2026, which are expected to be published in April S

Brutalist It is for the fictional Lashlo Tot, a Jewish architect from Hungary, who is experiencing a Nazi concentration camp, and after the end of World War II, he travels to America, where he becomes entangled with the relationship of a wealthy business tycoon. The news of using AI’s AI tools came to the surface shortly after the movie was nominated for ten Oscars. The dispute was interviewed The fact that the film’s editor, David Jansi, gave RedShark News. Jancśo explained that the production actually hired the Ukrainian software company Respecher to make the movie actors sound as if they had authentic Hungarian highlights. The film apparently used AI to create some of the architectural drawings that appear in the film.

“It is controversial in the industry to talk about AI, but it shouldn’t be,” Janso told The Outlet. “We have to have a very open discussion on what tools AI can provide to us. There is nothing in the movie using AI that has not been done before. It just makes the process much faster. We use AI to create those small little details that we didn’t have the money or the time to shoot. “

AI is a Hollywood puzzle and it seems that the industry does not know whether to ban the tools or accept them. Last year, Openai headed for Hollywood In an attempt to sell studios according to their video generation technology, Sora. Martin Scorsese’s gangster epic, IrishmanHe also tried to use Deepfake -like technologies to demolise the actors of the lightning movie. Despite the slow craftsmanship of the new automation in the process of making films, there is little evidence to suggest that what the audience wants is more in their films.