The first movie Bruce Willis was directed by the Hollywood legend

Most people with a cursory knowledge about Hollywood history have a general understanding that today the film stars were unknown (or barely famous) yesterday’s incompace. It’s a little fun checking out some of these unlikely early 3 -D, “either Denzel Washington in” Carby Copy “. Then there is a flip -bu that the future star will get a big, juicy role in the picture made by the designed director, Like the Deva Patent in the “Million Slum” or Hale Steinfeld in “TRUE GRIT”.

However, there is also a happy tool for these two extremes: a film made by a Hollywood legend that debuts the future movie star, even if the movie itself does not make a huge splash. This rare category perfectly sums up the results of the “blind date” in 1987, which presents the first role of the movie for Bruce Willis. Despite the fact that the film was not unsuccessful, he earned $ 39.3 million for a $ 16 million budget-he was not very well perceived, and “Die Hard”, released a year later in 1988). Instead, this is a plain ideal of Kuro: for director Blake Edwards this footnote in the famous Hollywood career. For Willis, this is the first movie that gives an idea that his screen was almost, along with the explanation of where he ended up when his star has completely risen.

If you know the name of Blake Edwards, you probably know him from one of the several classic films he is directed, especially “Breakfast in Tiffany”, “Days of Wine and Roses”, “Pink Panther” (and a few sequels), ” Big race “,” Party “and” Victor/Victoria “. Although Edwards became famous for his comedy reflectors, he was not a genre he worked exclusively. He also made a few Nuar movies (“Experiment in Terror”, “Gan” and “Tamarinda Seed”), Western (“Wild Rievers”) and even a gentle procedural thriller based on Michael Kristan’s novel “,” Carrie’s treatment “

However, in addition to its comedic films Golden Age, it is likely that Edwards is the most famous trend he has unintentional to start: “Sexy’s 80 -x”. His hit 1979 “10” became a free part of a sexy comedy wave, which at this time got into the cinema; Where such films, such as “The House of Animals” and “Parks”, which satisfied the demographic teen “10” and his sparse-films, such as “guilty of Rio” and “Black”-adjusted to a middle-aged man who seeks have a rushed. While Edwards did not suddenly turn and plunged into the creation of a bunch of adult sex comedies, he occasionally tried to blow this new brand.

He played with the iconography of a sexy symbol like Bert Reynold’s in a “man who loved women” leaned into a farce with “Skin Deep” and turned the script to a miseryman, switched it to the woman’s body into “switch” while most comedy in “Blind date” – this is Edwards, which continues its tendency to farce, it also contains “be careful what you want” for “theme for men Randy, giving the hero Willis a beautiful woman (whom Basinger) as a blind date that then proves too A lot for him.

Despite the fact that Bruce Willis was not a movie star at all when the “blind date” premiere, it does not mean that he was not a star. Wilis was already familiar to the viewers as a SU Agency, which is united with the former Maddy Hay Fashion Model (Cybill Shepherd) when she realizes that she owns David as a taxation. The show was greatly famous because of the classical chemistry of the Romance Romance between Willis and the Sherapard, which led to one of the longest and most contradictory “will they/will/will not” be “in the history of television.

This requires a brief look at the “blind date” to understand that the movie is trying to take advantage of the “moon” of Willis. The film makes it make sarcastic returns, simultaneously repairing a beautiful blonde and getting into deep, close problems with life or death as “lunar lighting”. It would be almost tempting to accuse the film of being a specially designed means for Willis if it wasn’t for that he started his life as a scenario designed for Madonna and Sean Peng. However, there is no doubt that the “blind date” tried to find out whether Willis could make a big splash on the big screen, as it was on the little one, and the irony is that he could; Not with the same type of character. Receiving the “blind date” served only to strengthen the old myth, who could not go to the movies. However, the next movie Willis helped to dispel this myth: If he was given another character to play Instead of one so close to (but not quite like) its popular television role, then who knows? He may not need to “die” to escape on the big screen.

You can even see from the trailer of “blind dates” As Willis was able to move from the unfortunate comic lead to the hero of Macho – he looks so great, all disheveled and beaten, all he needs is to play the one who runs to attack the scoundrels as often as he escapes from them. While Willis could remain solely in hero mode after success “die Hard”, However, his long movie cinema shows that he never left his original comedy person or talent behind. Of course, Willis eventually received a reputation (especially in the following years) for playing heroes who were so radiant and sullen that they could be called completely without humor. However, he kept his gift for a wide, comedy work, alive in “death becomes her” and “Breakfast Champions”, And his farce comedic term was still high in “as many as nine yards” and its continuation “all ten yards”.

If you wonder if Willis tried to ever try to merge the characters that made it known Hadson Hock in 1991. This movie has become sad for the suffering of different creative differences And others behind the scenes of the Sonnanigans who gave her the reputation be a misfire before he was released for terrible reviews. However, he has been grateful for many years as a favorite of the cult, especially thanks to the unique performance of Willis. One thing is for sure – for someone else’s career, the “blind date” may look like an anomaly. For Willis and Edwards, this was a relationship that at least made sense on paper.