Punjabi musicians who gave a makeover of Diljit Dosanjh and Bhangra Atare

Indian singer Diljit Dosanjh met with Gala’s debut last month left a global fashion global impression.

The only Punjabi musician who will perform in Coachella, the 41-year-old singer, the red carpet dressed in the early 20th century was like Maharajah.

Founded by designer Prabal Gurung – a swinging sloping swinging swinging swinging swinging swinging swinging swinging, a swinging slippered swinging swinging slipper.

He also wore a spectacular diamond necklace inspired by the king of the king of the Northern India’s state of India, inspired by the king of a city of a city.

A Panthère de Cartier clock, a lion-filled sword, a sword, which is behind the script for Punjabi, Dosanjh’ın, which is behind the home province of Dosanjh, completed the ensemble.

Of course, Dosanjh is not a stranger to such style.

Just like his music, he won a niche in fashion – hip hop singer known with the western effects known for the traditional Punjabi styles, hip hop singer.

The piles of necklaces, which often match the pants in fighters, skinny athletes and colorful tubers, seized the unique form of the unique form, the most interesting investments in the traditional Punjabi clothes.

Changes can be felt everywhere. The 16-minute high intensity in California would not be possible without high performance sports shoes. Berlin’s basement Bhangra nights have fun in the crop tops and in deconstructive pants.

Punjabi music itself, volume and energy high – with words filled with names of cities and global luxury brands – turned into subculture.

This is not only dosanjh – several other Punjabi musicians also affected the region’s style game.

Very long, Punjabi-Canadian singer Jazzy B’s rings, often a biscuit size, plus sized canda hanging and silver blonde hair loss.

Yellow-colored glasses worn by the recent singer Badshah; Pastgy hoodies sports by yo yo honey singh; And AP Dhillon’s Louis Vuitton Bombers and Chanel Hours became famous for the young people of Punjabi.

However, although the effect is significant, it was limited to a region. Dosanjh and a few people like him, but several people were able to speak to the global level, but also as a closer diaspora. For example, shirts, pearls and sports shoes are worn for the world tour last year. Dhillon’s style expressions in Paris Couture Week created aspiration among Punjabi youth.

Cultural experts, both music and fashion and fashion have roots in Western pop culture, as this investment lives in the west and live in the West.

“Punjabi men are inventor. This believes in Hibbid. This is the same with the Hibabi diaspora.

Over the years, Punjabi diaspora, a new generation of musicians began to confuse modern hip-hop votes with the elements of the traditional punjabi aesthetics.

Their different style lexicon – gold chains, faux fur jackets, plus-sized accessories, braids and beards, went to books and doctoral theses in South Asian culture.

Coins, when luxury brands reached the 2000s, like a sponge like a sponge, like a sponge like a sponge, immediately returned home. For Punjabis – who is mostly a farming association – it was a desirable rebellion for success and how well.

“This symbolized the action of Punjabi’s personality from a farmer to the global consumer,” he said.

It is a product of performers like everyone, Sergill claims that these pulses are the performers who said that the impulses are “responding to a hyper capitalist world.”

Interestingly, the style game of Punjabi musicians – Hip-hop, R & B, Bhangra Pop, Fusion, Punjabi Rep, Reggae or Fimreti music, Ratio and Androgynous instead of being hyper men.

Pop star Balenciaga or Indian designer can wear the opaque creativity of Manish Malhotra; Speech everywhere from Ludhiana to London; Durn with Beyons around Dubai Burj Khalifa, in a luxury car or in an English mansion, but always wearing Punjabi’s personalities.

Dosanjh said he was associated with Gala met with Maharajah. “This was the popularity of his popularity, waiting for him to happen,” he said.

The composite effect on the artists of this trend cannot be accepted in Punjab today.

Local Bhangra is not limited to traditional “Dhoti-Kurti-Karti-Koti-Koti-Koti-Koti-koti-koti suites combined with dual and ethnic shoes. Performance costumes now include sports, printing shirts, deconstructive bottoms and even holes.

“Such items are very sought by customers” says Harinder Singh, the owner of the 1469 brand.

The goods in Singh stores, are popular by phulkari turbans, which are popular by the accessories, which are popular in the pamphlets, are popular by Phulkari turbans, which are popular in the pammi bai. Singh himself has more turbels with more than 100 shades.

Even the style of men in Punjab also carry some of the cosmopolitan twang.

Young poet Gurpreet Saini, who performed cultural festivals in India, says the source of his shawls – Haryana, Haryana, Punjab, a different look, including music signs, including a different look, accepts those who watch the folk singer Gurdas Mann.

In some cases, the thing that started as a personal flair continued to be fashion phrases. Now these options are cultural signatures. They remembered the Punjabi identity by feeling the rhythm, hybridness, as well as radically.

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