Musical Comedy Flop, which pushed Sylvester Stallon against Share Porton

In Bob Clark, 1984, “Reiston”, the porton’s share plays a rustic singer named Jake, who is quite unhappy in the night club in New Yar called “Rineston”. In the Piquee device – perhaps after reading a copy of “Pygmalion” – Jake claims that it can capture any random gamble from the street and turn them into a famous country star for two weeks. The Freddi club owner (Ron Leibman) makes this bet, saying that when Jake is successful, she will come out of her long -term contract. If she loses, however, she will be stuck for another five years.

Unfortunately for Jake, the “random lace” she is missing is the driver of the Italian cabin Mookish Martineli, played by Sylvester Stalon. As anyone who saw Act Stallone could tell you, he is not known for his musical grip, and even less than the country -music association. In the context of the history of Nick is perfect for Jake’s rate, as it does not fully fit the country -music world.

For viewers in the real world, however, the prospect of watching the table to sing is a bad thing. Anyone who has actually seen “Rhinestone” can tell you that the steel is not gifted musically and his songs are inappropriate and horrible. Look at the clip of “Drinkenstein” if -the -do To understand what people say. The fact that porton’s shares and other singers on the stage pretend that the table is doing a great job simply proves that they are all performers at the Oscar level. Later, Porton has a Stalon love scene later in the movie. My gorge rises on her.

“Rriston” also had a problem staging, the stars hated each other, and it is known to bomb. It returned only $ 21 million from $ 28 million, was lowered and went out of shameful mode of the year’s worst films.

“Rhinestone” was nominated seven times, “winning” the worst original song and the worst actor. The movie was covered A bad podcast that loves the movie “How did it work out?” And you will be harsh to find fans. My personal favorite digging into “Rhinestone” happened during the 1994 animation series, “Critic”, in which the leading retrospective described the career of Slo: “We saw Sylvester Stallon rise and falls. And falls. The fall is a little more. He is not the man I tell you! “

Even the people who made the “shackle” of the rhino. Phil Olden Robinson, the writer “Sneakers” and “Snow Field” (which forced James Count Jones to cry)After writing the script from the Station and he expressed contempt for the process. In Matthew Alford’s book “Cabbage Power: Hollywood Cinema and American Runs, Robinson stated that he has doubts about the whole project, but could not obediently close his mouth during the press -tour of the film. He, in public, said the scenario was taken from him and turned into what he hated.

Perhaps embarrassed, Robinson’s comments were met with warmth in the field. Finally, it seems someone opposed the Hollywood debris. Robinson said:

“I would like to perceive the warmth to say what I believe in, and for telling the truth than just informing the field that you can do it with me. And so I did a lot and didn’t get warmth. Stallon called my agents and was angry, but it was. People in the studios, even in Fox, called for that. Who was in the Union Union, saying that we are glad that you did it, we can’t say it tricky, but you are right. ”

When did you last heard how the actor or screenwriter generally expressed any fears during the press interview?

Porton and Sylvester’s shares realize that “Stras” was a bomb, and they are known to cut off each other very much, but both of them came out recently to say that there was no rigid feelings.

The biggest porton’s Snit with the Stalon exceeded the incident in which she wanted to help a homeless person she encountered during the shooting, and Steelone abandoned her condolences. She described the argument in her autobiography, “Dolly: My life and another unfinished business.” “Rorthon” fired in New York, on a very cold night when the stakes saw a sleeping man on the street. Being gentle, an angelic man, shakes a handkerchief over the man to warm him. Obviously, the table pulled the shawl from the man and shouted at how he had his own homelessness. Dolly wrote:

“Well, you could have broken me with an angel pen. He is one of the creatures of God, and that’s good enough for me.”

It can be assumed that after that the table felt the corresponding level of remorse; Nobody wants to be beaten. In addition to this incident, Shadow said the Stalon was actually a very warm and useful employee. Indeed, he eventually turned out to be a good friend. “Sylvester Stalon made me laugh at a time when I really needed it,” she wrote.

Stallon also gladly worked on the “Strace” despite his glory. In 2006, his interrogated Ain Ain IT Cool NewsAnd he had nothing but good words for the porton. It seems that both he and the port was low in their lives, and their “Strike” membership raised them. Stallon was refined, saying:

“I remember how in the early 80’s, when I was sitting in a hotel room, I regretted themselves. The actors do it a lot. It is actually considered a sports in Hollywood. In any case, the share called and we started a conversation that lasted at least two hours. She knew everything.

Stallon also said that “Rhinestone” collapsed because it became too stupid and intricate during production. He said that Mike Nichols was initially managed and that Bob Clark (which Director both “Black Christmas” And “Christmas story” for two different festive proposals), and the wonderful director did not bring what the table wanted.

The Station did not commented on the incident with the participation of the homeless, so we can assume that it was appropriate. The fact that Porton remained a member of the table is a sign that he became more decent at this point.

Dolly and SIL may love to work on “Rhinestone”, but this has not saved the movie. His reputation remains and his failure is still known. It is currently available for transfer to Prime Video.