Michael Bey’s first documentary was so dangerous for shooting that he was not allowed on the set

Few directors are as devoid of intricacies as Michael Bay. He is a director who can turn any type of scene into a scene of action and often shoots more peaceful moments as it shoots the culmination of the film. But time Bay created a variety of entertaining scenes of action In the past, his last film can become his most audacious and impressive work today. It was also extremely dangerous for shooting, so Bay was legally couldn’t be anywhere near the set while the cameras swept.

When you hear the words “Michael Bay’s documentary”, many thoughts come to mind. However, looking at “We are a Start”, you will understand that, of courseParkur, which causes death that regularly performs the stunning tricks will become a subject that caught Bay’s attention.

There was only one tiny problem. Being a member of the Guild of Directors of America, Bay was legally obliged to provide any set he works, is without risk and as safe as possible. Of course, a movie about people jumping over the roofs, hundreds of feet above the ground is nothing but risk.

“I said, ‘I don’t care what you are doing. “I don’t do anything on it. I’m not a producer. I’m not a director, so forget my name, call me later, and I’ll look at the frames and see if I believe it.”

Bay and his legal team spent real years, finding out how to make “we are a strip” so as not to put the director in legal danger, if anything went wrong (and much). The key was that it was not allowed to the set and did not participate in the pictures. “I could not participate in any case, form and form,” the bay said in matters and questions. He couldn’t even know the footage until everything was shot and all were alive and healthy – before the great accident, which occurred in the early stages during the shoot, became full of news when he learned a lot about it, much later.

“We Storror” tells about the old team, the YouTube Parkour team, consisting of a group of Parkur artists from London (two sets of brothers and three comrades). Previously, the team worked with Bay on Parkur stag “6 underground”, a movie that has one of the worst posters of all time and peoples.

As you’d Expect Based on the concept, Bay’s Involvement, and Storror’s History of Incredible and Wild Stunts, “We are not storrar”. Track Storror’s Highly Choreographed Stunts Are Just As Breathtakingly Shot and Edited As Those who are in the ambulance thriller. Meanwhile, acrobatics themselves are the same vice -out as the climax of “free solo”, only they go through every 10 minutes, not just at the end. If you suffer from dizziness, you will have a bad time with this movie … And even if you don’t, you can still leave the theater with sweaty palms and new gratitude for never performing any of these dangerous tricks in your life.

Indeed, even without bombings and shootings, “we are a strip”, it feels like a project by Michael Bey thanks to the purely viewing of these British people who cause gravity on the roofs on Malta or run with monkeys on Indian roofs. No matter what you are already a supporter of the group, or this is the first time you hear about them, their Globe’s adventure inspires.

In addition to intensive Parkur scenes, a thing that makes “We Our Storror” is a good documentary is his acute study of the masculine connection. Although Bay did not participate in the actual shooting, he had one big note for the elder’s members: “Shoot everything.” These included the process of preparation for each trick, careful planning of choreography, the narture of the site, so that they do not face surprises, mentors and their doubts. These are the things that the group always leaves from your YouTube videos, so to turn them here, everything has changed.

You see, the film begins with a group of the same name that practices its last trick on the Portuguese Platin before their friend suffers from a horrific accident. This event throws a shadow on the rest of the movie when different members of the old man respond differently to this experience of almost death. After all, they are no longer teenagers, but men in the 30s whose bodies do not respond equally to all wear. We will learn about the victims they have brought for the group, leaving behind research and other career ways, and see the beginnings of their doubts and regrets, because they understand that they may not still risk their life for video on YouTube.

Just like “Jackass Forever”, there is a melancholic mood “We are a Starr”. The film can be a celebration of their journey so far, but it’s also a little code with at least one era of their careers. The documentary has a bit of Peter Pan syndrome, and how these guys mostly achieved their dreams too early. Now they should be considered with vulnerability of adulthood, naive youth, the cost of transforming your hobby to work, as well as nonsense of dangerous tricks that make for insightful topics that documentary studies with caution and empathy.

Stiro will continue to make the video (they shot several at the time the movie was edited), and Michael Bay will continue to make big, ridiculous movies. However, “we are the older” shows the other side of both creators who, as I wish, we could see more in the future.