Matthew McConah’s first movie in six years need to believe

Last time Matthew McConahs decorated our screens with the role in the movie in 2019 with Stylish movie “Guy Richie” “Gentlemen”. But now he finally returned with a new feature film, and that’s what he needs to believe.

“Rivals of King” – only the second feature film by Andrew Paterson (After his fantastic debut “Huge Night”), but it seems that he was made by a veteran director on top of his craft. This is a movie that begins as a comedy modern western, but turns into a drama of revenge. Well, it is also a musical, a comedy of a slap and a movie about stolen bees. This is such an indie -film with so many story blows, tonal shifts and ideas that it can either deepen as it is overcome or merge into something transcendent. Fortunately, the Paterson’s film is the last one of the most unique films in 2025.

At one point, Paterson provided for “King’s” competitors as a mini-series of seven episodes, and it shows. The film has a pseudo -episodic feeling, as it presents something brand new every few minutes. The film begins in a dusty parking lot of a fried sandwich, where a group of musicians led by bearded, Bandan amiaies (Maccons) joins a beautiful moth that creates a scene for a movie where anything goes. The film, which presents small communities full of colorful characters, has a story that feels like “Simpsons” as it plays freely with realism for the benefit of fun history.

Indeed, this is a film about the theft of the hive and the rigid beekeeping that treats the craft with the level of gloom similar to the prestigious television drama. Jason Stati may have played a kind of beekeeper last yearBut King’s AMPA shows why you don’t have to mess with the real deal.

“King’s Rivals” is a loving portrait of a small community of Oklahoma, a movie that makes you want to move a new one to experience what his characters do. The amiaza conducts the first half of the film, presenting the audience, and again introducing his former boat kid (the phenomenal Angelina, who looks, revelation), to his community, forcing her and feel part of it. A scene in which the amiaza leads boilers in Katluk and explains the history and tradition behind each dish, and the way it connects people from the city makes miracles, causing the story to feel justified and the world lives. In addition, music numbers are a great way for us to get acquainted with the characters and how they interact with each other, because songs are dietary and adaptive ampicals and lifestyles of his friends and how they approach life (from a bang in hand and a lot of humor).

Without ruining the many “King’s Rivals” rivals, the film takes up wild swings bordering on inappropriately, but they work because the audience believes in the ammonia and communities around them. Characters are well determined to be supported by even the most history points. I told a little about the movie in today’s episode “Daily Podcast”, where we discussed the best SXSW movies 2025:

You can subscribe to /shoot daily Apple podcast. Overcast. HoldOr wherever you receive podcasts, and send your reviews, questions, comments, problems and themes at bpearson@slashfilm.com. Please leave your name and overall geographical location when we mention your email on the air.

As of writing, King’s “King’s Rivals” are still looking for distribution in us.