Liam Nissan and Owen Wilson A supernatural horror movie – a visual hobby of the 90s

“The Hount of Hill House” Shirley Jackson attracts us to his Gothic, scary world even before we aim at the title mansion. When we finally see a terrible residence, the ghostly prose of Jackson wrapped a picture of a house that watches and reacts to the presence of man, being a little reasonable as his inhabitants. True horror, however, lies in unspoken fears caused by such a terrible, surreal place. If the mansion shows the worst anxiety in our main character Eleanor Vens, it is difficult not to slip into her shoes and absorb some of her fears.

Since the key to the capture of Jackson’s cardiac fairy tale is to study these subtleties, few adaptations were able to invent the prerequisites of the book on their own terms. The most effective and noticeable effort (so far) is the “History House” by Mike Flanean Go to the sorrow and its generations that hold over the Crane family. While Flanaanana’s fairy tale enriches the world of the novel, dive deep into the character-psychoRobert Wais’s adaptation of the same name gives a good interpretation of Jackson’s work at the surface level. Despite the deeply undeveloped, the Wise version is an unforgettable visual spectacle, thanks to the reasonable use of light and shadow of Davis Bulton’s cinematographer to cause fear and claustrophobia.

However is third Built -in -adaptation of Raman Jackson, which went well at the box office, despite the fact that they received mostly negative reviews from critics. I’m talking about “The Insing” 1999, which does not have much but some grand, wonderful design. But quite aesthetics cannot save the name of horrors, which is not terrible and not tense, and cannot mask the absolute absence of depth, which it solves from beginning to end. This is a shame when the movie shoots some really capable actors, including theft of Lily Taylor’s scene, whose brilliant presence is supplemented by Liam Nissan, Owen Wilson and Catherine Zeto-Jones. So what went wrong here?

In the initial stages of the movie “Ghost” was intended as a rhemey adaptation of the wise 1963 and began as a collaboration between Stephen Spielberg (!) And Stephen King. Although this could be a strong creative team, fate had other plans, as King and Spielberg could not continue to work together because of creative differences. Despite the fact that Spielberg ordered the film script, trying to continue to go, he later addressed John de Bonta (“speed”, “twister”) and suggested sending a “minority report” in exchange for the fact that the bow took “ghost”. In retrospect it was a good step as Spielberg’s approach to Philip K. Dick Adaptation is a sharp and prudent thoughtEmphasizing its strengths as director of the blockbuster.

On the other hand, de Bont turned out to be a bad horror title that was guided by the character, although he pursued the focus of the film, prioritizing Jackson’s original material. All the ingredients needed for convincing adaptation were present: interior design team, which understood the attractiveness of Gothic horror, cinematographer (Carl Walter Lindenlob from the Star Gate and Independence Day), which can make this vision and a backfill with talent.

However, the treatment of the de Bonta premises is so insufficient and devoid of sharp sensations that the “ghost” is practically not recognized when we talk about the book it adapts. Such treatment is somewhat guaranteed because the film feels small than the horror with the ghosts of the wise, which really can scare and allow our fantasy to get lost.

That do Work here – many that are beautiful and bright. A piece of internal sets used for sports premises was built inside the flying Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Hughes Huguz was built in 1976. Production designer Eugene introduced these kits with a large, affected Gothic design, which is carried by the owners and latent fear that causes the quality that entered the head hill.

Unfortunately, no number of gloomy, horrific rooms in the room can pin us in the Gothic world that has no significant bets and focuses on the characters that feel signed.