Hardly Horror Classic that inspired the gorge of Scott Derixon

“Gorge”, like the title formation of the earth, is a fragmented movie. It begins as the story of two career snipers, Levi (Miles Teller), ex-Marcir and Draz (Anya Taylor-joy), Lithuanian mercenary, who hired the relevant governments to go to an unreason So the eastern forces for almost a century. Despite it, not only without hesitation.

What begins as a romantic allegory for lonely, related to the pandemic of life and long distance and find out how to avoid, eliminating the threat to humanity posed by the place. In the first half of the film, Derixon and Cinematographer Dan Lausust, a movie in a natural, beautiful but muted palette, aesthetics, reminiscent of the work of Christopher Nolan and Joseph Kosinski. Once in the gorge, the film opens literally and figuratively, as terrible creatures, intricate conditions and bright colors fill the frame.

This is a little switch “Alice in the Wonderland”, or perhaps more inclined to say “Snow White”, the last film is one of the influences on Argent, making “Suppiria”. Argenta was also a student and friend of the Italian genre Mario Bava, whose work as a special effects technique eventually saw that he made his own visually figurative (and colorful) genre film such as “Planet Vampires” and “Black Saturday”. This is the work of Argenta and the battles that greatly inspired the color scheme of “Gorge”, as Derrixon /movie Jacob Hall said: movie:

“His appearance was very inspired by the Italian horror cinema, Bava and Argenta, as well as the color atmosphere the relevance of why different colors are what they are in the gorge.”

When asked about “Suppiria”, he specifically influenced the “gorge”, confirmed Derixon, but quickly noted that he did not make a link for the sake of the link:

“It was very intentionally. But again, I was ready to do it only if in the presence of this color was a reason to be there what it does. And this is part “.

Indeed, so much story about what is happening in the “Gorge”, it is told through these visual signals, so it is not for nothing that Derixon will turn to such a visually rich palch as Italian horror.