Dune 2 timato chalamet’s monologue could be completely different

One of the elements of the Duna brand brand is Franco Herbert’s ability to create the world (or rather, world construction). We will not take scores from Denis Vilnev. Principal Two -part cash adaptation “DUN” It has created an incredible iteration of a science-fiction institution that has retained fans for decades. Villeneuve delivered so good that “DUN: Part Second” already ranked 54th in the best 250 IMDB films List of all time.

One of the elements of the “dune”, which gives him that gentle realism is the culture of Fremene, which is full of tradition, habits and even his own language. This native language is called Chakobs, and since the whole “dune” takes place in the distant future of our own human existence, the isolated desert lingua clearly attracts inspiration from real languages, including Arabic and languages ​​from the Caucasus peoples.

Indeed, one of the best points in “Dune: Part Two” -this when Paul Athride (Timota Chalamet) stands out of the walk to combine and lead Fremen against his enemies in a large-scale, hot attack on the worm. The scene is a spine and it makes you jump over the screen, put on motionless and join the attack on the legion of Emperor Sardakar.

The wild thing, however? We approached the fact that we never received this Chakobs.

In an interview with 2024 with CollderThe Chalamet told about his experience, which convincingly gave a monologue in the language of Fremen. He began, saying that he thought it was all concerned with, even feeling the pressure to match the quality of the work performed by his colleagues. When it’s time to shoot his messianic speech, he gave it all (clearly). In his own words:

“I think,” Now I have to approach the plate. “This is incredibly confirmed and even more intricate to do it in a language that does not exist, and it is also in English.

The thought of Paul Atreid, which excites Fremen’s crowd with English words is not so bad. But there is no doubt that Paul, who speaks the same words in the language of Fremen, feels that we are seeing what is happening on the distant planet in a very distant future.

For those who need a quick Ol memory running, Paul’s monologue lasts a few minutes and happens when he tries to cancel the Fremene’s tradition and seize control over the whole group as a long -awaited Messiah. When he enters the room where he soon goes to Mass Fremen, there is an initial volley of Chakobs when he confronts the soft demand of the council so that he may appear and kill the stylgara (Javier Bardem) to be able to speak. In response, Paul says, “Are you smashing a knife before the fight?”

From there, he goes to the race, diving with a pole in the eye to every proud warrior Fremen with the line: “There is no one in this room who can confront me.” He continues to say that his mother warns them and that they should be afraid of this moment. From there, he begins to prophesy about lost grandmothers with terrible wounds on his face and disturbing nightmares. (Paul has some unwavering powers This is only exacerbated as the history is promoted.)

When it goes together, we get a random line in English, which is a useful touch to avoid subtitle depletion into an emotionally tied sequence. He reveals the name of Fremen for the Arakis (which also doubles as a film’s name), calls himself a “voice from the outside world” and tells you about bringing Fremen to the Green Paradise. In shock spectators, it is called Lissan al -Hibiba (Fremeu for the voice of the outside world) and quickly gets in line – undoubtedly because he speaks with a ferocious group in a convincing form in his language.