Director Twister once turned out on the wrong end of the lion attack

Making a movie is hard work under the best circumstances. This is a joint process that requires careful, hopefully a heart coordination between the incredibly diverse craftsmanship: directors, actors, writers, cameras, designers, tricks, electricians, carpenters, animals, as well as masters. The degree of complexity is enhanced when you dare to shoot at less undesirable elements such as water, jungle or desert.

Advertisement

“Jaws”, “Apocalypse now” and “Laurenti Arabia” are the three biggest films that were made, but they were brutally gathered. The fury of the mother of nature beat all three of them, behind the schedule. The sets were destroyed, the equipment was damaged after the repair, and the mechanical shark refused to work properly. Was it worth it? For the viewer absolutely. You watch these movies and, between exciting sequences, complain that nowadays they really couldn’t be made at this risk. But one view of George Hikenloper, the fax bar and the Eleanor Copol “The Heart of Dark: Apocalypse Director” must leave you by thanking the manufacturer to choose that you are exposed Francis Ford Copol’s contradictory approach to “Apocalypse now” While he turned the Philippines into a military zone.

Advertisement

And then there is the “Groom” Noel Marshal.

The Marshal Straz and his star of the Tip Hedren “Garm”, on the surface, a family film about the naturalist (marshal), which manages the nature reserve in Tanzania, filled with large cats. When he brings his family (the actual Marshal-Heidren clan, including young melanie Griffit) to join him while he continues his studies, everything is broken. They come until he is with a threat to the reserve, which leads to a painful meeting with these gigantic creatures (which will play with you until you died as the home part, the mouse). This is all horrible, and the danger does not cause non -promented until the loans roll in 90 minutes, and at this point you wonder how no one died, shooting at this wild thing.

Surprisingly, no one died during the shooting “Roar”, but Jan de Bont-Legendary Dutch director and cinematographer who published “Die Hard” and “Hunting for the Red October”, as well as “speed” and “Twister”-flirted with a large exit when he received full skin.