As the transfer of Netflix helped pave the way to the new movie about the horrors of Bloomhaus

If you are watching movies and signed on Netflix, there is a decent chance you looked thriller “transferred” At one point in the last few months. Directed by Jaume Collet-Serra, known for its actions by Liam Nissan, such as “continuous” and “The Commuter”, he quickly rocked the graphs of the vapor, becoming a blow. It also, somewhat indirectly, paved the way to its new movie.

After direction Horror movies like “orphan” And the “House of Wax” earlier in its career, Collet-Serra returns to the genre from “Woman in the yard” Blumhaus. The film, which has been largely enveloped in the mystery, is the first director’s efforts since 2016 “The Diglows”. Having made this journey with him,-Daniel Murtviller, with whom he collaborated on “transfer”, as Elena Cole, the agent tries to get to the bottom of the plot highlighted by the mysterious traveler Jason Beteman.

“This is my boyfriend,” said the dead about the Colet Serval during a visit I attended last year at the “woman in the yard”. I talked to Deadwyler and other crew members on the last day shooting in Athens, Georgia, which is about an hour outside Atlanta. Deadwyler, whose loans also include movies such as “the heavier,” and “I saw television glow”, talked very highly about the director, explaining that she came deep trusted as an employee:

“I think it’s a trust. And I know his story-more presenting things he did,” cruise in the jungle “,” black Adam “and things are much more oriented.” Transfer “obviously focused on the action. But to know that he had the story of horror and thriller, and when” well, go in this world. “I trust him.

“I call it a master of darkness. He becomes happy and joyful about the most difficult things,” Mirt added. “We have a connection at this point.”

During our visit, the manufacturer was not ashamed to reveal much about the “woman in the yard”. What we know is that the film focuses on Ramona (dead), a woman, crippled grief after her husband (Russell Horsby) died in a car accident. Wounded and one, she remains to look after two children in a distant peasant house. One day in their yard is a mysterious woman dressed in black, and it quickly becomes clear that her intentions are moody.

As the dead said, the callet serra came out of some major studios before taking this relatively non-budgetary horror business. He Most recently, the director of the long -awaited rock DC “Black Adam” For Warner Bros. Immediately after working with an actor who turned to the fighter on the “cruise” of the Disney.

“I think when someone expresses these many people and can come back, it makes it much more complete,” Mirt added. “He has a story when you are horrified, this story is doing this action. You can take it all and put it in the pot in which we now work.”

Both of them were confused on “transfer”, and producer Stephanie Alind said that sometimes actors and directors have “this”, a collaboration that cannot be easily determined. And Collet-Serra didn’t just return to horror because it was easy. As Alunder also explained, the director beat his ass to be able to make this movie:

“He perceived it very seriously. He still finished” transfer “while he was here. He went to the airport after wrapping on Friday, sit on this plane two hours. You guys know. It’s so far away. Sit down on this plane, fly in Los Angeles. paid everything he himself. “

Blumhouse could use this level of dedication because the studio had a rude year in 2024. Can Collet-SERRA work again and bring a blow to the studio, as for Netflix last year? Perhaps we see the beginnings of the next great combination of the actor/director. Here I hope.

The “woman in the yard” gets to the theater on March 28, 2025.