One sinful scene pays tribute to John Carpenter

This article contains spoilers For “sinners”.

Part of what is done by vampires, such spectacular cinema monsters for most of the last century, it sees how these bloodsuckers developed in the tandem with the environment in which they bloomed. Their cinematic immortality serves as a preserved legend for the next wave of directors, so as not only to study but also to expand. You can so much remove the creative gap between the “vampire” by Charles Theodore Dreier and “Horror Dracula” by Terens Fisher, how much you can stretch between the “close dark” Catherine Bigelov and “Ana Lily Airpur”. Even “Nosferatu” has recently been a visual conversation about its overall heritage between FW Murnau and Robert Eggers.

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It is safe to say that any conversation about the most prolific films about the vampires of the 2020s would be impossible without the inclusion of “sinners” by Ryan Kugler. /Jeremy Matthew The movie had nothing but the praise of the ambitious epic horror in his review And I couldn’t agree anymore. “Sinner” is a visually and loudly stirring fun with a lot of bite. It is clear that Kudlir wanted to go more than the traditional vampire film, because the movie is Western, the horror movie, the blues -muzic and the creature, everything is rolled into one.

The work of Kelarvir, in addition to the debut function “Fruitvale”, first existed in the field of adaptation. But what makes it an interesting director is how he is able to present acquaintances, settings and topics in the package that feels as if he tells these stories for the first time. “Creed” and “Black Panther” are so united in its existence. “Sinners” feel particularly characteristic because There are so much influences filled with its DNA but goes out on the other hand as a completely original piece of film production that the next generation will use as inspiration.

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You can see the ideas of everything: from Robert Rodriguez (“from dusk to dawn”) to Stephen King (“Lot Salem”) and Ernesta R. Dickesson (“Democratic”), but there is one spectacular sequence in which Kugar prefers the great John Plant.

“Sinners” are very effective in maintaining tension because it conducts the first third, allowing us to cook with these characters in the world they live. It’s much harder when Redmick Remmick comes much heavier when Jack O’Conneel’s remm comes and makes problems for everyone. A safe refuge of the juke club gets a rough awakening when different party members begin to turn into a dance team on the street. Naturally, the few who threw it inside are suspicious of whether the person who turned or not to them was. Will take the page out John Carpetera’s Horror Epic “Thing”, The owner of the Smoke Club (Michael B. Jordan) suggests passing the test to sort out anyone who can lie.

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Although the vampires of Kelarvir are completely original creations, it uses its vulnerabilities such as sunlight and wooden rates to hunt for the audience’s expectations. In “sinners” the smoke goes around the jar of salted garlic cloves to exclude any immortal impostors hiding among them. Grace Lee Lee, naturally, raises her eyebrows when she protests about eating it. When she finally eats it, we will be able to relax for a moment, but I remember my heart rushed when the delta of the Lindo Slime delter shown on it.

I had to prepare to potentially see one of the best characters of the film, blues music that could play medium harmonica, bite the dust. But, fortunately, the tension is instantly released when it turned out that his response was not considering the acute vampirism, but because the garlic creates a powerful mixture with all Irish beer, which gave him a pair of smoke. It creates great laughter, but as it goes, the relief does not last.

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In the “thing” is a poppy -curtain of Kurt Russell, which produces the rest of the Arctic survivors to draw blood and find out if there is a preheated wire. There is a reason why this is one of the most intense scenes in any horror movieAs the tension of the character we liked, it can be unbearable. The garlic test is a great example of paying respect without immersing in direct emulation. It is not surprising that Kealir is a supporter of Platnitsky, given that there is a gigantic poster in his office (through Media intimacy).

In the middle of the point of the middle point, there is a great beautiful sequence where the vocal talent of the loud blues Sammy (Miles Katon) opens a metaphorically anachronistic musical gap over time. This is the best way to view “sinners” as a whole: a number of influences on genres, directors and paths in different environments that excite a brand new vision in this process. At one point, Crook and Carpenter sing each other.